Rob Omura
i.
There is a Zen parable about a warrior who slew his master, and to atone for his crime, he dedicated his life to building a tunnel so people could cross a dangerous stretch of mountain. Many years later, the master’s son, seeking revenge, found the warrior at work deep in the tunnel. The warrior promised the son that he would gladly die at his hands, but first let him finish the tunnel; the son agreed. After several months the son grew impatient, and to hurry the tunnel along, he began digging too. Years passed and the two men toiled side by side. When the tunnel was done, the warrior turned to the son and said, “Now, I am ready to die.” The son replied, “How can I kill you? You are my teacher.”
Mountains gold and free –
heavy with a present that
is owned by the past.
ii.
Tiny feet run to catch the tram
skip across the cobbles
with the ease of birds
act as if the past has
no center
no mass.
Even a Pokémon pack
bears no weight.
And the children chirp with delight
stop traffic
with their song.
This is forgiveness.
Old men in clean, white shirts
pressed the night before
smell of lavender
and cigarette smoke
gather
outside the mosque
wave to the afternoon sun like fresh linens
f l a p p i n g o n a l i n e.
The wind
shakes off
gravity
sheds
old winter coats.
Next to the mosque
young couples and families
line up
for Ramadan
flat bread
like they were lined up at the cinema.
This is forgiveness.
Daughters of wartime
rape
wear black leather jackets
polka dot dresses
push strollers
through the city park
and are never seen
just shade their babies’ eyes with
open palm.
Pigeons and prayers swirl
above
the old square and coo
feathers are softer than
truth and
lighter than
justice.
This is forgiveness.
iii.
Red roses in mortar scars gain a foot in the market.
Peace sticks to plaster and wood beams, smells
of burnt coffee, tastes of barbecued lamb. Sheep
knock down weeds in rocky fields, trigger a mine
now and then, so we stick to marked trails around
the mountain. High up, the bobsled track snakes down
through thickets with a new promise at every bend.
Many hands had drawn petroglyphs up and down
the track walls, but graffiti’s indecipherable without
the whole story. And the story evolves. The past, a restless
dragon, snores and settles in for the night and sometimes,
the low sun glints off its clay scales to form perfect
rainbows in the clouds. Old women sleep with one eye open,
every house has a dog and the dogs bark into the night,
and the men grumble and try not to sink too low in chairs.
About the Author
Robert K. Omura calls Calgary, Alberta, Canada home where he lives with his common law wife and three too many cats. He has resigned himself to finding cat fur in everything he eats. His fiction and poetry appears or is forthcoming in journals in the U.S., Canada and abroad including the New York Quarterly, 34thParallel, Chaffin Journal, CLR, Freshwater, barnstorm, and Blues Skies Poetry. He has been nominated for the Pushcarts.