Volume 5, Issue 1. Spring 2020.
Content
“On Creating Chhotu: an Interview with Varud Gupta and Ayushi Rastogi”
COLIN STRAGAR-RICE
“Barriers, Broken Fence, & Shrine”
RYAN DODD
“Death Pass Hope Pass”
BRUNO MANFREDI
“Forest Witch”
SHANNON ELIZABETH GARDNER
“Tales of Hungary”
SEIGAR
“The War with the Joneses”
SCOTT BRADFIELD
“Sauna Head”
SOLBI CHOI
“What Was”
ELI COYLE
“Two Women”
DENNIS ETZEL JR.
“Tracks”
SARAH JANE JUSTICE
“The Onyx Orb”
CAROLINA ISABEL MARCOS GARZA
“The Familiarity of Breakage”
DARIANA GUERRO
“Take Two, They’re Big”
ROBERT BEVERIDGE
“Dream #739”
ROBERT BEVERIDGE
“Skin”
ANN M. LAWRENCE
“Run-off”
MAUREEN SHERBONDY
“Rolodex”
FREDERICK POLLACK
“Reading Jack London on W. 137th St.”
MATTHEW DISCHNER
“Quiz on Evening Sun”
J. MARCUS WEEKLEY
“On the Octopus vulgaris of the Delphic Trench”
COLIN BREDENBERG
“More Softness, Please”
DARIANA GUERRERO
“La Isla de Promesas”
DARIANA GUERRERO
“Milwaukee Apartment”
ANN M. LAWRENCE
“Kajmak in Belgrade”
MILANA MEYTES
“Junkies Outside the Window”
JULENE TRIPP WEAVER
“Irish Bar Songs”
SUSANA H. CASE
“After the Divorce”
SUSANA H. CASE
“Happens by Itself”
DAVID P. MILLER
“Green Card Soldier”
CARL PAPA PALMER
“Free to Eat Tacos with Her Lesbian Friend”
EMILY EZZO
“An Infant in an Amphora”
EMILY EZZO
“Encounter at a Bridge”
ADRIAN SLONAKER
“dutch courage”
JOHANN VAN DER WALT
“Cornucopia”
HIBAH SHABKHEZ
“Breaking Boundaries in the Bekaa Valley”
NATALIE GARLAND
“Beyond the Green”
HARRIS COVERLEY
“Adoptees”
DON NOEL
Masthead
Senior Editors
NAME
title
NAME
title
Associate Editors
Names In Alphabetical Order
John Doe
Sally Maker
Our publication is forever thankful for and indebted to the guidance of our faculty advisor Kimon Keramidas for his continual methodological guidance and support; and to both Joanna Epstein and Nicole Pandolfo for their seemingly never-ending supply of compassion and answers to any/all of our random questions. We could not have done this without you, thank you.
Caustic Frolic is a peer-edited graduate student-run journal founded by New York University’s Center for Experimental Humanities and supported by a GSAS Student Life grant.